In her ‘The Antimuseum’ presentation, Ann Light (Sheffield Hallam University) proposes a transformation of the museum as an institution of preservation to a laboratory of creation, highlighting the Demtech project working with older people as one example of this practice.
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- A Case Study in Policy Delivery: Examining Social Inclusion through Interpretation and Practice
- Stakeholder Engagement in Publicly Funded Museums: Outlining the theoretical context and a proposal for future research
- The Visibility Paradox: Visual Artists in Arts Policy and Arts Impact Research in England
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- Multimedia Narratives: co-production between museums and their audiences
- Museum/digital technology intersections
- Ousmane Sembene’s Mooladé as a post-colonial call to arms
- Technical Invention for Museums: New technologies and older people
- The Antimuseum
- The art of Catherine Sullivan and the Philosophy of Gilles Deleuze – Art Beyond Representation
- The Experience of Art
- The Politics of Friendship
- While the music lasts: music and social interaction
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- Introduction: New media? Re-imagining technology, culture and the social
- Novel noise? A systems-theoretical approach to Twitter
- Navigating digital publishing law without a ‘night lawyer’: an exploration of informal legal support networks
- Power struggles in Korean cyberspace and Korean cyber asylum seekers
- Designing scripts and performing Kurdishness in diaspora: the online-offline nexus
- Are new media democratic?
- Reading the stranger in the age of social media
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Cultural Policy, Criticism and Management Research 