Sara Jones’ (Centre for HCI Design, City University London) presentation provides an introduction to the work of the ‘technical innovators’, starting with a bold defence of ‘ignorance’ in the work of the requirements engineer. The unpacking of this statement provides for an enlightening insight into the processes and practices of ‘engineering’ creative, innovative and participatory multi-media in museum contexts.
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- A Case Study in Policy Delivery: Examining Social Inclusion through Interpretation and Practice
- Stakeholder Engagement in Publicly Funded Museums: Outlining the theoretical context and a proposal for future research
- The Visibility Paradox: Visual Artists in Arts Policy and Arts Impact Research in England
- Issue no. 4
- Multimedia Narratives: co-production between museums and their audiences
- Museum/digital technology intersections
- Ousmane Sembene’s Mooladé as a post-colonial call to arms
- Technical Invention for Museums: New technologies and older people
- The Antimuseum
- The art of Catherine Sullivan and the Philosophy of Gilles Deleuze – Art Beyond Representation
- The Experience of Art
- The Politics of Friendship
- While the music lasts: music and social interaction
- Issue no. 5
- Introduction: New media? Re-imagining technology, culture and the social
- Novel noise? A systems-theoretical approach to Twitter
- Navigating digital publishing law without a ‘night lawyer’: an exploration of informal legal support networks
- Power struggles in Korean cyberspace and Korean cyber asylum seekers
- Designing scripts and performing Kurdishness in diaspora: the online-offline nexus
- Are new media democratic?
- Reading the stranger in the age of social media
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Cultural Policy, Criticism and Management Research 